Review: The original fright night was already a cult classic that makes this unnecessary remake. But since all vampires these days are less intimidating and as this evil Ed said Love Sick, may be necessary for some reason. Bring back the real vampire camp. Although it is not as scary as the original, but Colin Farrels measures improve vampire villain. The fear night is infinitely watchable and enjoyable. It may sound strange, but I think this version is better than the original.The original has the disturbing schlocky masks but this version has actually vampire danger and thrills. The credit goes to Colin Farrel. It gives a lot of violence and terror to the evil vampire. David Tennant has its own Peter Vincent. His charisma and joy shines through all his scenes. Just as Roddy McDowall, David Tennant nearly steals the show. But Farrel really owns this show.Its welcome back, actually. Its not cash in a remake. Its the return of vampire horror at our cinemas. Our vampire movies these days are just tired and rests on nothing but mindless violence. And some of them are Kari trivial girl and shines in the sunlight. But the biggest thing that is missing in most modern vampire movies are so scary these monsters are. They are not only bloodsuckers. They can be terrible for somehow.The movie is of course good, but some of the CGI tone they scare down somewhat, but it still works. Score sounds nothing like punctuation in the original, but its true his vampire genre. The film is shot in 3D, but the bulk of the film is dark and 3D obscures usually look of the film, but if you'll be in some blood and sparks coming out of the screen and try it. Not really recommend though.Overall, is fear the night enjoyable. Perhaps the biggest mistake is the jump scares that Fright Night does not really loved this trend. Well, it's certainly better than all the unnecessary horror remakes we usually get every year. Colin Farrel done much better. Vampires are bad again. It has a lot of joys and thrills. Fright Night is recommended to bring back the real elements of the genre. |
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